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Creative Writing & AI Art
Where Words Paint the Picture
I’ve always been more of a wordsmith than a numbers guy—ask my math teachers. While I struggled to find the square root of anything beyond a decent sandwich, storytelling was where I thrived. Little did I know that those early writing strengths would become the perfect key to unlocking a new artistic frontier: AI-generated art.
This marks a turning point in my creative journey—not a change in creativity itself, but in how it unfolds. Previously, my process began with an imaginary picture: a spark of inspiration, a crafted composition digitally brought to life on my computer screen. Only then would I wrap a Talk-Story around it, like silk around polished stone. But AI art flips the process entirely.
Now, writing is the blueprint.
To create compelling AI artwork, you must first master the art of description—translating imagination into precise, evocative language an algorithm can interpret. It’s not about typing “tree on a hill at sunset” and hoping for magic. It’s about capturing the emotional resonance: dusk melting into branches like honey, the wind's hush in the lean of grass, a silhouette whispering a story from the horizon. Writing with clarity, poetry, and precision becomes your new brush.
A strong foundation in writing is a powerful edge. If you can craft a scene so vividly that a reader sees it, feels it, maybe even smells it—you’re already halfway to mastering AI prompts. The machine may render the pixels, but you breathe in the soul.
This chapter celebrates that fusion: where the rhythm of language conjures imagery, and the synthetic mind translates it into visual form. It’s a collaboration between human imagination and artificial interpretation, where writing is not an accessory to visual art, but its origin.
Welcome to the place where metaphors become mountains, adjectives birth architecture, and stories sculpt scenery. If you’ve ever dreamed in sentences and painted with paragraphs, you’re in the right place.
Screenshot of the Leonardo.AI app
Image created from Prompt
This screenshot illustrates the practical application of text-to-image synthesis, an AI capability that connects creative writing with digital art. It highlights how a narrative prompt's clarity, specificity, and emotional depth can significantly influence the resulting AI-generated visuals. This process shows how artists and writers can use language as a creative tool—essentially treating written language as a paintbrush and AI as a canvas.
Dive into this fascinating interface, where artists and designers can uncover AI's endless possibilities as a source of inspiration. Imagine how it can spark fresh ideas in storytelling, visual arts, and artistic expression!
As you delve into the upcoming stories, take a moment to ponder the captivating AI-generated images paired with each paragraph. Consider the creative journey that transformed the written word into stunning visuals!
The downside of creating art in this manner is that it can detract from the painting and drawing skills that are essential to making art. On the other hand, it enhances creativity in writing, which I, as a writer, find promising. However, as a traditional artist, I am appalled.
Notice the Grammarly Prompt
In the upper right-hand corner, you can see the green and white third-party app, Grammarly, is ready to correct grammatical errors in the prompt writing if needed. I rely on Grammarly to correct the narrative.
I can copy the prompt and paste it into the Grammarly app to help enhance the writing to produce the image. Grammarly has an abundance of enhancements to influence the prompt creatively.In the upper right-hand corner, you'll notice the green and white third-party app, Grammarly, which is ready to help correct any grammatical errors in my writing as needed. I depend on Grammarly to improve the quality of my narrative.
I can easily copy the prompt and paste it into the Grammarly app to enhance the writing and create the image. Grammarly offers numerous enhancements that can creatively influence the prompt.
Short Talk Stories and Extracted AI Imagery
What follows is more than a gallery—it is a living conversation between word and vision. Each of these short stories was originally crafted as a standalone narrative, rooted in imagination, memory, and cultural resonance. But here, they take on a second life.
In this section, I invite you to reflect not only on the stories themselves, but on the visual interpretations they’ve inspired through AI technology. Using platforms such as Leonardo.AI and DeepSeek, I carefully extracted key sentences and sensory details from the paragraphs—those shimmering moments of meaning that visually define a scene—and transformed them into image prompts. These aren’t just AI illustrations; they are interpretations of emotion, culture, and story encoded in language and rendered in pixels.
As you read, consider how the images you see emerged directly from the words before them. Observe how a line of dialogue, a fleeting description, or a subtle metaphor becomes color, form, and light. In this creative process, the act of writing becomes visual storytelling—where narrative guides the vision, and technology becomes the tool of translation.
This fusion is not meant to replace traditional art, but to complement it—a new branch of artistic expression that honors both the writer’s voice and the evolving language of digital creativity.
Short Talk Stories
The Crazy-Talking Lady of Chinatown
The Crazy-Talking Lady of Chinatown
The Crazy-Talking Lady of Chinatown
In this haunting urban folktale set in Honolulu’s Chinatown, a homeless woman named Noelani is dismissed as just another street wanderer—until local troublemakers discover her true power. Unfolding with suspense and spiritual revelation, this story honors the mana of ancestral presence and highlights the resilience of Hawaiian identity beneath the concrete of modern-day streets.
Special Soup
The Crazy-Talking Lady of Chinatown
The Crazy-Talking Lady of Chinatown
A heartwarming and humorous tale of friendship and cultural fusion, Special Soup follows Xiang from China and Kenji from Japan as they transition from plantation workers to beloved soup bar owners in old Chinatown. Their culinary collaboration creates more than just delicious saimin—it sparks the birth of pidgin slang and showcases the joyful blending of immigrant communities in Hawai‘i.
Junkie's Dream
The Crazy-Talking Lady of Chinatown
Junkie's Dream
A haunting and poetic tale of addiction, escape, and fragile beauty. Sheila, a heroin addict living in a Honolulu park, finds comfort in a hidden tomato garden and a green caterpillar she imagines as a king. As her craving deepens, her dreams of transformation blur with a harsh reality, weaving a symbolic journey between despair and fligh
A haunting and poetic tale of addiction, escape, and fragile beauty. Sheila, a heroin addict living in a Honolulu park, finds comfort in a hidden tomato garden and a green caterpillar she imagines as a king. As her craving deepens, her dreams of transformation blur with a harsh reality, weaving a symbolic journey between despair and flight. Rooted in Filipino American and Hawaiian culture, this story reflects on the thin line between euphoria and oblivion.
The Crazy-Talking Lady of Chinatown
There she goes again, Noelani talking to herself; she was a homeless person wandering the streets of the Honolulu Arts District, walking and talking out loud. She’s a regular in Chinatown, never bothering anybody and keeping to herself. Sometimes folks would buy her something to eat like a manapua, and she’s always graceful and thankful.
Then there are these teenage skateboarder kids in the neighborhood who are always causing trouble and bullying people. Real, local neighborhood punks. Mischievous kids out for a good time hanging around the skateboard park.
Noelani was making her rounds around Chinatown, down River Street, and across to the park, talking out loud like there were people next to her. She rattled on without a care, not paying attention to where she was going. Then she stumbled upon the skateboard park where the skateboarders hang out.
Randall, one of the older kids and a big troublemaker, spotted Noelani walking by and whistled to the other kids to check her out. Noelani wasn’t that big, a little on the skinny side, and never asked for trouble, but she could handle herself to some extent, but not against a gang of kids.
The boys came closer to Noelani and started heckling her, calling her crazy lady. Noelani stood fast and said, “what do you want?” “Leave me alone.” Then the boys circled her and started pushing her back and forth, and she began to scream. She grabbed a necklace around Randall’s neck and yanked it off. Then, she made her way out, ran up the street into Chinatown, and disappeared. The boys ran after her but couldn’t find her anywhere. It was getting late and dark outside, so the boys went home. Randall told the others to meet him again tomorrow so they could find this crazy lady.
The next day the boys scanned the streets of Chinatown looking for Noelani. Randall wanted his fishing hook bone necklace back. Randall told the other boys, “When I see her, I gonna break her face.” The other boys laughed; “you mean break-face.” “You still a mainlander.”
The boys asked around town, and some folks say she stays in the park at Smith and Beretania streets. So, the boys skate-boarded to Smith-Beretania Park. They waited until it got dark—still no sign of the talking lady.
A thick mist began to gather on the surface of the grass, and Noelani appeared from the gate and sat in the middle of the lawn. The boys were behind the fence, out of sight, and sprang up, jumping over the fence to surprise her. She sees them, then nervously starts talking out loud again. Randall runs in front of her and sees her wearing the bone fishing hook necklace she took from him.
He yells at her, threatening to rip the necklace off her neck. In response, she begins to talk faster to herself, glancing from side to side. Her eyes flutter upwards as she enters a trance, moving with a graceful, sensual rhythm. She starts chanting in Hawaiian and magically transforms into a stunning hula dancer, adorned in a traditional grass skirt with a full flowered lei around her neck, wrists, and ankles. As the mist thickens around her, it envelops the children, filling the park with a dense fog that obstructs the view from the streets. She continues to dance and chant, invoking her ancestors to appear.
All of a sudden, sounds of warriors chanting a haka as the mists begin to take form into ghostly figures of men. Soon, the mists solidify into ancient Hawaiian warriors, and the kids cower, huddling together in a circle, yelling, “Don’t look at them! Turn your eyes down to the ground!”
Randall, scared out of his wits, not knowing what to do, couldn’t help but look at them as one of them picked him up by the neck and threw him down to the ground. Randall, even though he was a big kid for his age, was knocked unconscious as the other kids cried and cowered together, pleading that they were sorry over and over again.
Noelani also pleaded not to hurt them further, and they stopped; then, she told the boys to leave and take Randall with them. Without hesitation, the boys carried Randall out of the park as fast as they could. Never to come back to this park and bother Noelani again.
It turns out Noelani is never talking to herself; she’s talking to her ancestors, who walk beside her. We can’t see them until she calls for their help. She wanders these streets because these are the streets that covered up the land that her ancestors lived on. She is the last descendant of her clan. She is stuck between worlds, searching for the homes of her ancestors that all the buildings in Chinatown have long since covered up.
She will keep wandering these streets, talking to her ancestors, until she can find the location of their homes. Until then, her ancestors will be in a state of unrest.
If you happen to come across her, be nice and know that she is the power of the ancestral mist and can call her ancestors when she needs them. Her name is Noelani, which means heavenly mist.
THE END
SPECIAL SOUP
Best friends Xiang from China and Kenji from Japan were plantation workers who opened a little food bar in town after their work contracts with the plantations were over. Xiang brought his love of cooking from Guangzhou, Northern China, where his grandmother passed down her special wonton recipe to the family. He got this recipe from Guangzhou and then went to Hong Kong, where the style and ingredients were popular. Eventually, Xiang left Hong Kong to work in the plantations of Hawaii.
Kenji is from Fukuoka, Japan, and loves to cook. Back in Japan, he specialized in ramen noodle soup. Xiang and Kenji met in the soup kitchen on the plantation they were working on. Kenji’s job was to take over cooking responsibilities from Xiang, who was ending his contract soon and expressing interest in traveling to California. However, his plans were thwarted when the Chinese Exclusion Act of 1882 was passed, and Xiang feared he would be deported if he couldn’t prove his place of residency, so he asked to stay on and help out with the cooking where the plantation owners were more than happy to keep Xiang on board. They kept Kenji on board because the new migrant workers were coming from Japan to replace the Chinese, and they reckoned Kenji would cater to the Japanese taste in food. Soon these two operated the kitchen together and became good friends, exchanging new ideas in cooking.
Xiang had saved up some money for his travels to California. Still, he changed his plans and decided to open a food bar restaurant in Chinatown instead. With the help of Kai and Jones, a couple of local construction workers who provided him with leftover wood scraps and free labor in exchange for food, along with some financial contribution from Kenji, they were able to open a small food bar in front of one of the hotels being built by Kai and Jones.
A crowd gathered patiently on the other side of the counter, waiting for Xiang and Kenji to open the food bar. All of them were former plantation workers familiar with Xiang's cooking from his time back at the plantation.
As they both came to open up, one guy yelled out in a pidgin accent, “Eh! Why you guys open up late morning all time?”
Xiang answers in pidgin, “We get ingredients and vegetables at the farmers’ market first, you like best kind soup, yeah? So be patient; we here.” Replied Xiang.
“Oh, back at the plantation, you have food already, den.” Replied the plantation worker.
“Yeah, but we no back at the plantation, so quit complaining.” Chuckled Xiang.
Kenji set the stools for the guest to sit at the food bar. Seven of them sat around the bar waiting for their soup bowls. There was no menu, just soup of whatever Xiang and Kenji had for that day. All seven seats were filled with two guys playing a ukelele on the wooden sidewalk, waiting their turn. As Xiang prepared the food, Kenji set out the bowls and scooped the wontons into the bowls. He placed them all in a row and asked each of the patrons what ingredients they wanted in their soup.
The first customer told Kenji, “I want dat, dat, and dat.” Kenji obliged and moved on to the next customer; he pointed to what he wanted and asked for a medium-boiled egg. Kenji said it’s going to cost a little extra. The customer said, “Dats okay.” Then Kenji came to the next customer, a new plantation worker who didn’t speak English well. “Okay, my friend, what you like?” Kenji asked. With a lost look on his face, he shook his head. Then Kenji pointed to the bowl with noodles in the broth and pointed to the seafood and veggies in the separate bowls back and forth. Then the new guy said, “De Quan,’” pointing to the bowls. Kenji replied, “Dis one, dat one, which one?” The man looked slightly embarrassed at his lack of English, pointed to the bowls again, and said, “Deeee Quan.” Knowing he struggled to speak English, Kenji smiled because he knew how it was when he first came to the island.
“Okay, braddah, which kind you want, dis kine, dat kine, which kine?” Kenji pointed to the bowls again. “Dee kine,” pointing to a bowl with fish in it. Kenji added it to the bowl. “Okay, what next?” The customer pointed to another bowl with veggies in it and blurted out, “Dat Kine!” “Okay,” replied Kenji, “What else?” With more confidence, the customer said, “Da Kine, da kine, da kine,” pointing to each bowl. Kenji started chuckling, “Yeah, brah, I like da kine too.” Another one of the customers said, “Hey, I want some more of das kine too,” pointing to the same bowl and laughing, which made the newcomer feel welcome. Before you know it, all the customers would refer to the bowls saying, “Da kine!” It turned out to be a new pidgin slang word.
It turns out that the newcomer is from the northern part of the Philippines, from a province called Ilocos Norte. The phrase “Dee Quan, literally means referring to an inanimate object, like that thing, that object, that fish, those veggies, etc. So in the event that the plantation workers congregated for work, they did the best they could to communicate with each other forming a unique pidgin language amongst themselves. Each culture contributes in its own way.
Soon Xiang and Kenji’s soup became popular in Chinatown and around the island, and soon every customer, when ordering the add-ons to their soup, would say, “Da kine!” when pointing to the bowls. Eventually, thereafter Xiang named his unique soup, Saimin, meaning thin noodles. The locals called the soup Hawai’i’s noodle soup as it grew in popularity.
THE END
A Junkie's Dream
Sheila believes this must be heaven floating on a cloud, a luxuriously warm breeze rushing around her body, and the warmth of the sun softly kissing her face. She’s in euphoria, gliding and twisting in the clear blue sky, escaping the darkness at the edge of the horizon, ever coming closer to surrounding her. Unfortunately, the darkness engulfs her quickly as she comes down hard for a crash landing, only to awaken in a cold sweat, shivering uncontrollably with only one thing on her mind, how to get her next fix.
Dimly lit was the park she awakened to as she scanned the area looking for anyone familiar. She sees the usual park folks with their makeshift tent homes tied against the steel wire fences. Friendly the folks were to those in need of shelter and comfort. She was not scared of the people here; she was more concerned with the cops. With needle marks on her arms, she was a dead giveaway as a junkie. She has a large Hawaiian tattoo wrapped around her forearm that somewhat camouflages the needle marks, but if you look closely, you will see the needle tracks. .
Her one small pleasure in this world was a tomato plant garden she was growing in the corner of the park that can’t be seen behind the trees and bushes but had a good amount of sunshine in the back. She waters the plants often when she can, and they are now just beginning to bear fruit. She shares the tomatoes with the people in the park, who also help her tend to the mini garden from time to time.
She’s been watching this giant tomato worm grow bigger and doesn’t dare try to get rid of it. Instead, she treats it like a pet. Picking it off the tomatoes and carefully placing it back on the vines. She imagines her burly green friend as the king of the tomato plant for all to beware of and to be left alone. She closes her eyes, pretending to be the mighty green caterpillar, thinking nobody can hurt her.
Although it dwells in the darkness of the tomato leaves, it fears no one as it climbs the vines to reach the fruit. Aphids bow down in awe of its massive green muscular body while other insects and caterpillars escape in fear at first sight of it. As it climbs the largest red fruit, it looks down on its surroundings as it reigns supreme over the entire tomato plant, but alas, something inside its little mind calls to it to encapsulate its body. A peculiar obsession it must proclaim as it hastens to encase itself for a long slumber sleep and look forward to a new dream.
A kaleidoscope of colors crosses through the threshold of its mind into a dream as its slumber deepens further into the no-return stage of transformation. Curious, it is to see its body begin to reshape as it feels its outer skin start to fall off into an adhesive gel reinforcing the strength of its outer shell from within, giving way to its newfound legs beginning to take shape. And what is this? What is this sprouting from alongside its back, running down to its lower backside? New muscles have formed around the base of this strange new sprout from the backside. They’re not legs; they’re very thin and light but strong. It can’t wait to see this new growth when it finally escapes this shell.
Sheila wakens from her daydream of her mighty little friend to a hurting pain in her stomach. She’s sick again, going through withdrawals, and she knew she had to get another fix soon or end up convulsing all over again.
The next day she went to her bank and withdrew all the money she had left, but she needed a little more cash. So, she went home, cleaned herself up, and dressed nicely, ready to walk the streets again. She took her usual spot on Hotel Street and turned a couple of tricks. It was a good night. She had more than enough money to satisfy her craving for a while.
Sheila convinced herself to get some extra, so she could stay feeling good longer than before. She tracked down her local pusher friend Big-O, who told her to go easy; that’s a lot of China White for just one high, girl. She told him, “Don’t worry baby, I’m a big girl; I can hang.” Big-O warned her, “I’m telling ya, you break that shit up, girl!” concerned if she was listening to him. She wasn’t.
So, she took her stuff to the one place that gave her peace, that small tomato garden in the corner of the park. She hadn’t been there in a few days and was looking around for her little green friend but couldn’t find him. Then she noticed a sizeable reddish-brown cocoon under the tomato leaves, touching the ground. Could that be him? It must be because he is the only king of this tomato plant.
After admiring her little friend’s new body armor, she took her drug kit out of her pocket and set it up to heat and liquefy her drugs on the tin foil. As soon as it was ready, she pulled out her syringe and filled the needle with the drug. Wow, there was a lot this time. She had never seen the syringe so filled. This should last a while, she thought.
Sheila took the rubber strap and wrapped it around her arm to bulge out the vein. She then took the syringe and shot the drug up her arm. Ahhh, she felt so relieved as she hunched over with a smile looking at her little buddy’s cocoon as she fell into a slumber of brilliant colors exploding in the sky.
She’s flying again, twisting in and out of the colorful clouds. There was no dark horizon chasing her this time; she made sure of that with the extra dose she shot up. She’s feeling ecstatic again, and nothing can get in her way.
As Sheila’s flying high, her friend that sold her the drug is looking for her in the park. He finally found her in that little hidden place with the tomato plants. She was way out on cloud nine. He looked at her arm with the Hawaiian tattoo and found the fresh needle marks. He cursed himself, “Shit, girl, what the fuck did I tell ya? God dammit!” He was pissed at himself for not keeping an eye on her. He called for an ambulance to pick her up and rush her to the hospital. She was oblivious to what was going on.
The paramedics arrived and started pumping her stomach as her pulse was weaker. They administered CPR with little effect. They knew they had to rush her to the hospital to save her life.
As the ambulance started speeding away, all she could feel was the motion of the speed as it added to her dream of flying high. Brilliant colors filled the images in her mind as her pulse weakened. A vortex was starting to form high above her in the sky, ever getting closer. Colors swirled around and enlarged the opening of the whirlwind. She could feel the warm, luxurious wind whipping around her body like a tornado. She let go and went with the gust of the wind as it pulled her into an unknown portal with no vision of the other side.
.The life support system flatlined at the hospital bed. The doctor administered an AED blast to her chest, trying to revive her. She was too far gone.
At the same time, back at the tomato plant garden in the park, her little friend was starting to break through the cocoon. Little by little, breaking out of the weakening outer skin. Finally emerging was this great and powerful hawk moth with wings twice the size of its body. It finally saw the growth of the wings it was anticipating in its slumber. Excited, it took flight to test its newfound wings in the sky. It was twisting and gliding in and out through the air fearlessly and carefree, as it lavished through the warm air.
Curiously there was a unique pattern on the wings of the moth, which looked like Hawaiian tattoo patterns, as it flew high and far away.
THE END
Future of AI Art
At Journey's End
The journey through Creative Writing & AI Art reveals a transformative approach to artistic creation, where storytelling catalyzes visual expression. By extracting selective narratives from well-crafted stories and enhancing them grammatically, writers can guide AI tools to generate images that resonate with emotional depth and cultural nuance.
This method contrasts with the traditional approach I used in creating digital art, where the artwork precedes the narrative. In AI-assisted art, the process begins with written descriptions that detail characters, settings, and emotions. These narratives act as prompts for AI algorithms, enabling the generation of images that reflect the essence of the story.
The effectiveness of this approach hinges on the writer's ability to convey vivid imagery through language. By employing clear, poetic, and precise descriptions, writers provide AI with the necessary context to produce compelling visuals. This synergy between human creativity and machine interpretation underscores the importance of strong writing skills in the realm of AI-generated art.
In Contrast
As I mentioned earlier, I believe this method detracts from the traditional drawing and painting skills. I understand that other artists may disagree with this way of creating art. Some might even argue that it is not a true art form. As an artist, I can completely understand this perspective.
As a writer and author, I am eager to explore this new direction, regardless of whether it is labeled as art or not. I feel inspired to deepen my knowledge and intuitive wisdom in this area and embrace any new technology that can enhance the process. This is the spirit of artistic pioneering.
Looking ahead, the combination of storytelling and AI technology signals the dawn of a new era in art—perhaps it will be called something else in the future. In this era, human intuition and knowledge will guide machines to produce meaningful and evocative imagery. While AI can generate art, the spirit and soul of the creation arise from human insight and imagination.